It will try to recapitulate all the steps of the project and its production inworld.

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The results of this operation are not so easy to measure because it is a corporate operation mixing education and image. We can measure the visits thru the land or the visitor counters that the counters give us and which are a first indication.
In 2007, I joined the Second Life Community Convention in Chicago where I had the pleasure to meet some of my virtual friends and one of the greatest and older friend of mine, Gabriel Paci, known inworld as Master Quatro or Gabriel Pirandello. That happened to be a really nice time and for me, a unique opportunity to understand better what I was doing in Second Life, what was the power of the community, and what I could do with virtual worlds in my work. 
Since we wanted the building to really be seen as a special piece in the landscape, the teleport area had to be dissociated and quite distant to give a wide angle to the vision at teleporting.
We could not stream the language thru the land, there was no other chance than to ask Blaise to improve the sound functionalities of the guided tour system which were quite limited at that time ... and he did it. 
Pietro wanted the exact machine, and even the exact brand of the machine to appear in the labs. I guess for him, that was some kind of secret meaning of quality, which I was totally unsensitive to !
Came the time of the interior details, and that took about 2 more months to decide and fix. Pietro wanted all spaces to look like the real S.S.C.B. , plus add some special places for the audience of Second Life, so the original brief was to create :
In the same spirit, we chose the style of the furniture in all this part, contemporary, light and clear. Feeling of reality often comes from small details, and we added several objects to make the environnement correlate with the reality...Xerox machine, water fountain, and even toilets in the back of the lobby zone !
How did we get to the final building ? Pietro sent me first a picture of the Swiss Stem Cells Bank in real life, but he wanted something different. So I went to make a research and fell in love with the buildings of the Hydro Houses Company in Second Life. The work of Porky Gorky seemed to me exactly what we need for the S.S.C.B. : light, transparent, aesthetic... it was just a question of choice.... so I asked Pietro to meet me there at Hydro Houses and tell me his feelings. And this is how it started .... 
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